He was sensible of it, he achieved his performance. "Why, that if I don't get the things back—every blessed one of them except a few she'll pick out—she won't have anything more to say to me." "I watch her, I count on her: how can I do anything else? If I count on her to let me definitely know how we stand, I do nothing in life but what she herself has led straight up to. I never thought of asking you to 'get rid of her' for me, and I never would have spoken to you if I hadn't held that I am rid of her, that she has backed out of the whole thing. Didn't she do so from the moment she began to put it off? I had already applied for the license; the very invitations were half addressed. Who but she, all of a sudden, demanded an unnatural wait? It was none of my doing; I had never dreamed of anything but coming up to the scratch." Owen grew more and more lucid, and more confident of the effect of his lucidity. "She called it 'taking a stand,' to see what mother would do. I told her mother would do what I would make her do; and to that she replied that she would like to see me make her first. I said I would arrange that everything should be all right, and she said she really preferred to arrange it herself. It was a flat refusal to trust me in the smallest degree. Why then had she pretended so tremendously to care for me? And of course, at present," said Owen, "she trusts me, if possible, still less."!

"Is that what you came to ask me?" Fleda demanded. She hesitated: she would only be impeccable even though she should have to be sententious. "You'll be happy if you're perfect!" she risked.

"The whole house," said Fleda uncompromisingly. She thought of her lovely room. "Write to him that you must see him again," said Mrs. Gereth. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"